{"id":1063,"date":"2026-02-07T12:12:36","date_gmt":"2026-02-07T15:12:36","guid":{"rendered":"https:\/\/pruebas38.zdeo.org\/biografia\/"},"modified":"2026-02-24T15:59:16","modified_gmt":"2026-02-24T18:59:16","slug":"biografia","status":"publish","type":"page","link":"https:\/\/pruebas38.zdeo.org\/en\/biografia\/","title":{"rendered":"Biography"},"content":{"rendered":"\n
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Artist Researcher.<\/h2>\n\n\n\n

Stage and lighting design, space theorist and University professor<\/h3>\n\n\n\n
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Academic and professional background
Gonzalo C\u00f3rdova has a well-established academic and professional career in the field of stage design and lighting. His first technical training as an electronic technician provides material support consistent with his later development in technology applied to the scene. He is a Master in Experimental Opera by UNTREF and has an extensive professional career in the main Argentine and international theaters, with collaborations sustained with renowned stage directors. His numerous awards reflect broad recognition of his art.<\/p>\n\n\n\n

Experience as a Research Artist
Its practice goes beyond the professional exercise to constitute sustained research on space, light and technique in the scene. The production of essays, publications, management of experimental projects and organization of Latin American congresses show a clear articulation between artistic practice and theoretical reflection. His profile is configured as that of an artist-researcher with the capacity for conceptual systematization and academic projection.<\/p>\n\n\n\n

Areas of Expertise
His specialization integrates lighting design, scenography, theory and history of the stage space, technology applied to performing arts and project pedagogy. This articulation between technique, critical thinking and practice experimental corresponds directly with the field of Arts and Techno-aesthetics.<\/p>\n\n\n\n

He has been working in lighting and scenography for opera and theatre since the 1990s, collaborating with contemporary directors and choreographers for directors such as Ruben Szuchmacher, Mar\u00eda Jaunarena, Ana D’Anna, Diana Theocharidis and Andr\u00e9 Heller Lopes, in productions both in Europe and in Latin America.<\/p>\n\n\n\n

As director: “Proyecto Appia” for Enclaves in the CETC, “The limit of Schiller”. The space staging of \u201cEmma Bovary with Ana Bovo, as well as “The Persians” of Aesquilus and “The Inhuman” with Alejandra Radano. Directed Marta Roca in ” String Words “. Directed “Gandini on Stage” at Col\u00f3n Theater., and \u201cFour Walls.\u201d He was also co-creator and performer of “Superfundo” with Carlos Casella and Diego Vainer. Recently, the lighting of “Tester” by Radano-Casella, and \u201cActriz. Moderno. Periferia\u201d de Mariana Obersztern. “The Seagull” directed by Szuchmacher and the stage space of “Te reduje a casa” by Carolina Piola stand out.<\/p>\n\n\n\n

As visual artist created the lighting of the \u201cLa Boca`s Bridge\u201d, \u201cBlue Line\u201d in the subways of Buenos Aires, and several light art works as \u201cNatural landscapes 1 and 2\u201d \u201cPeace\u201d and \u201cLight chair\u201d.<\/p>\n\n\n\n

He wrote two essays on stage lighting “Goethe\u2019s Trap” and “The Stage Lighting”, edited by El Rojas, and three poesy books: \u201cThe Wald of Rotemburg\u201d, \u201cPassage of a man towards the Garden\u201d and the \u201cThe German readings.\u201d<\/p>\n\n\n\n

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He has been distinguished with the World Theatres Award for “The Damanthal experiment” and ACE 2005 for “The Troyans” and “Henry IV”; ACE 2007 for “Death of a Salesman” and “Quartet “, Star of See 2009 for “In the bed”, in 2012 for “Strangers in the train”, 2013 for “The lady in black” and 2014 for “On golden pond\u201d and \u201cMy God”. Has won the World\u2019s Theatres Awards in 2013 and the 2014 Maria Guerrero for \u201cDear Ibsen, I am Nora\u201d, \u201cLove, Love\u201d. and \u201cSwiss cabin\u201d. in 2015 Trinidad Guevara Award for \u201cThe new authority \u201c, and in 2016 Premio Trinidad Guevara for ” Dishonored “. Award Hugo for \u201cLove Musik\u201d, 2017 Florencio S\u00e1nchez for ” All things in the world ” and KONEX Award 2011.<\/p>\n\n\n\n

He is starting with a PhD in Arts and Aesthetic Technology. He works as a Professor of the National University of the Arts in the subject of Project design II, in History of Scenic Lighting in the career lighting design for shows, and in Musical Theatre.<\/p>\n\n\n\n

Member of ADEA Association of Scenic Designers of Argentina.<\/p>\n<\/div>\n\n\n\n

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Artist Researcher. Stage and lighting design, space theorist and University professor Academic and professional backgroundGonzalo C\u00f3rdova has a well-established academic and professional career in the field of stage design and lighting. His first technical training as an electronic technician provides material support consistent with his later development in technology applied …<\/p>\n

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